Recommended books for writers and editors

Recommended books for proofreaders and editors (and writers)At a recent meeting of the Society for Editors and Proofreaders (SfEP) West Surrey and North Hampshire local group, we spent a couple of hours talking about our favourite resources: those books and websites we turn to first when we are working. Here are some of the books I would recommend to proofreaders and editors, and to writers – and the good news is you may be able to try them all out before deciding to spend your hard-earned money.

New Hart’s Rules: The Oxford Style Guide (Oxford University Press, 2014)

New Hart’s is a handy little style guide, primarily for conventions within UK publishing. It’s thorough and straightforward, and it gives plenty of helpful examples. I used it a lot when I started out and I still have it within easy reach now. If you have a UK library card, you may be able to access New Hart’s for free (use this link and look for the PREMIUM tab).

The Chicago Manual of Style, 17th ed. (University of Chicago Press, 2017)

CMOS is probably one of the best-known style guides. It’s a treasure trove if you are working with US English and need to know US-publishing conventions. The print copy is a beast but, fortunately, you can access the same information – in a searchable format – online (a subscription is required but there is a free trial available).

The Penguin Guide to Punctuation, R.L. Trask (Penguin Reference Books, 1997)

Don’t be put off by the publication date on this one – it’s still the best book on punctuation I have come across. Trask provides clear, simple explanations, and does not assume prior knowledge. If you are worried about how to use semicolons, or don’t know a hyphen from a dash, this book is for you. You can access an online version of the guide for free via the University of Sussex (thank you to Etty of Elegant Words for that tip-off!).

New Oxford Dictionary for Writers & Editors: The Essential A–Z Guide to the Written Word (Oxford University Press, 2014)

This isn’t your standard dictionary – it focuses on those words and names that may cause an editor or writer difficulty. NODWE is designed with us in mind. Not sure about a spelling variation? Wondering if that term should be hyphenated? NODWE is the book you need. As with New Hart’s, it is available free online to many UK library-card holders.

Fowler’s Dictionary of Modern English Usage, ed. J. Butterfield (Oxford University Press, 2015)

I love Fowler’s. It is eminently sensible – there’s no nonsensical pedantry here. Its advice is easy to understand and international in scope. This respected authority on English usage is a bit of a tome, so if you’d like to get a sense of the book, a ‘pocket’ version is available alongside New Hart’s and NODWE.


For a slightly different take on some of my favourite work-related books and websites, check out my blog post on the resources I use as guides to style and usage.

Advertisements

The Black Cat monthly round-up: September 2019

Black Cat Editorial Services_September 2018I wasn’t at the SfEP’s conference this year, unfortunately, but I had plenty of other things to keep me occupied in September. I have been working my way through the SfEP’s Introduction to Fiction Editing course, on and off, since May and I managed to complete it this month. It’s a lot more in-depth and complex than the course title may suggest; I’m sure it will have a positive effect on my editing practice. The section on critiques and their structure should be particularly useful.

What I’ve been working on

I finished off the two proofreads I started in August: a non-fiction book on cricket and a novel about bereavement. I followed this with the proofread, for a publisher, of a poetry collection. Poetry is not something I have edited before, so this was a great experience – I love being able to work on a wide range of texts. The last project of September was a collection of stories about British-Indian women. It was a fascinating glimpse into the lives of some truly remarkable people.

What I read for fun

I had a week or so off for my birthday (more on that later), which meant that I had a bit more time for for-fun reading than usual. I pre-ordered the collector’s edition of Leigh Bardugo’s Crooked Kingdom some time ago, and it arrived at the beginning of the month. It’s almost as beautiful as the collector’s edition of Six of Crows. And it gave me an opportunity to use the Boomerang app for the first time. Enjoy:

I’ve had the novella All Systems Red by Martha Wells on my wish list for a while. It was the first book I downloaded onto the Kindle Paperwhite I got as a present for my birthday. Murderbot is a brilliantly written character: introverted, humane, dispassionate and funny. I whizzed through it in a couple of hours and then chose Vivian Shaw’s Strange Practice as my next read. The characterisation throughout could be stronger but I enjoyed it for what it was.

Birthday business

Sandwiches, scones, cream and jam, and cake cubes on a dark-wood stand.

Afternoon tea at Audleys Wood.

I managed to make my birthday celebrations last a couple of weeks. The first treat was afternoon tea at Audleys Wood Hotel in Alton with one of my favourite editor colleagues. I do enjoy posh sarnies and tiny cakes. I had a lovely, chilled birthday at home and then headed up to Yorkshire for a few days away. I stayed in Harrogate, which is a beautiful place. Somehow I had failed to realise the UCI Road World Championships (cycling) would be taking over the area; lots of roads were closed, it was very busy, and there were bikes – almost literally – everywhere. But I did manage to enjoy a good wander round the town and visit the legendary Bettys tea room. There was an Italian restaurant joined to our hotel, and the food there was absolutely stunning.

The local group

Between my birthday and going to Harrogate, I held a lunch meeting of the West Surrey and North Hampshire local group. The topic for discussion was marketing and looking for work, and as usual the group members delivered some great insights and advice. The next meeting will be in November, and we’ll be talking about how to make the most of our professional websites.

Black Cat does #IndieAuthorChat

I was the guest for the Alliance of Independent Authors’ Twitter chat on Tuesday 6th August 2019. The chat takes place every Tuesday, using the hashtag #IndieAuthorChat, and is hosted by the lovely Tim Lewis of Stoneham Press. We had a great hour talking about proofreading for indie authors. If you weren’t able to join us, you can catch up using the Twitter Moment or read, below, a transcript of the questions Tim asked and my answers:

Q1: How does proofreading differ from editing?

A1: Proofreading is a type of editing, but it is a lot less interventionist than a copy- or line-edit. I think of proofreading as making the smallest possible changes to make the text as correct as possible.  Proofreading should occur right at the end of the publishing workflow – it’s the final polish and is not a substitute for a thorough self-edit and professional copy-edit. The SfEP has a handy fact sheet to compare proofreading and copy-editing.

Q2: How much difference does format (print, eBook, etc) make in terms of proofreading a manuscript?

A2: It shouldn’t make a huge difference. It will be more about what the author finds easiest to work with and how much labour they want to put in to checking and adopting changes. Indie authors tend to ask me to mark up a Word doc, which isn’t proofreading in the traditional sense (that’s checking typeset proofs) but is easy to manage. Don’t be afraid to ask for a paper or PDF proofread if you want one – a properly trained proofreader will have the ability to do this. The cost will probably be higher but they will be checking the text and the format in as close to its final state as possible.

Q3: What is a style sheet and why is it important in editing and proofreading?

Black Cat Editorial Services_ talking proofreading on #IndieAuthorChatA3: A style sheet is SO IMPORTANT. A style sheet is a document that collects all your style preferences. You can see a very basic example on my website. It is essential for editing and every editor you work with should provide one for you. If they don’t, ask to see what they compiled. Style sheets are needed to ensure consistency throughout the text, and provide the author with an at-a-glance summary of what has been done and why. I extend mine to record character and location details, and often include a chapter-by-chapter synopsis to help me keep track of events. If you engage a proofreader, it is in your interests to provide them with the style sheet the copy-editor compiled for the project. It’ll save a lot of time and possibly confusion, and should make proofreading cheaper for you.

Q4:  How do you work with an author – what is the process of getting your manuscript proofread like?

A4: The process is quite straightforward, but I need the author to give me as much information as possible, really. Be upfront about what you are looking for. Send me a sample so I can see what needs to be done. If I don’t think a proofread would best serve you and the project (i.e. it needs a deeper level of edit) I will tell you. There is a small amount of paperwork involved (I ask clients to sign a project agreement) and I will require a deposit to book my time. Proofreading is usually(!) straightforward so the client may not hear from me until I’m finished. However, I’ll email if I do need to consult on something that’s not easily dealt with. I’ll send over the marked-up document and the style sheet, and a sign-off form for the project. I’m available to answer any related questions and will do my best to assist.

Q5: How much should an author pay for proofreading and what factors affect the cost?

A5: This is a tricky one. It depends. If the text is in excellent shape, and the client provides a comprehensive style sheet, I’d charge around £7 per 1,000 words. If we are looking at something complex that needs to be done within a tight time frame, I’d charge £10–12 per 1,000 words. It’s all about time. The longer it takes, the more I charge. My pricing isn’t at the top end of what you could expect to pay. The SfEP suggested minimum is £25.00 per hour. Format, time frame, complexity, level of intervention – these will all affect the cost.

Q6: What is one thing you wish all authors understood about proofreading and editing?

A6: What a question! Well, one of the important things for me is that authors understand that we are a team. Don’t be afraid to give me as much information as you can. Tell me what you want to achieve. If I don’t know, I can’t tailor my editing to support you.

Q7: How can people find out more about Hannah McCall and Black Cat Editorial Services?

A7: You can check out my website (https://blackcatedit.com/) or follow me here on Twitter (I’d love it if you did).


Got your own questions about proofreading? Feel free to leave a comment below. Thinking about joining ALLi? You can find out more here.

The Black Cat monthly round-up: July 2019

The monthly round-up_ July 2019I was somewhat startled to realise that this post will mark a year of Black Cat round-ups. That means Black Cat Editorial Services has been in operation for more than a year – and what a year it has been! I’ve worked on 30 projects, and read (for fun) 30 books. I went to the SfEP’s conference in Lancaster. I attended the London Book Fair and the fiction editors’ mini conference. I joined ALLi and now regularly take part in their Twitter chat (#IndieAuthorChat). And I wrote a book review for the SfEP’s Editing Matters magazine (which technically means I’m a published writer!). Thank you to clients, colleagues and friends for all your support.

Professional news

All of the above has helped me to become an Advanced Professional Member of the SfEP. To reach APM level was one of my major professional goals, and I am still extremely pleased to have achieved it. APM is the top tier of SfEP membership. I had to prove I have more than 1,500 hours of editorial experience, show evidence of recent professional development, and provide two references from satisfied long-term clients.

What I’ve been working on

I proofread two very different memoirs this month. The first was a deeply personal account of a difficult childhood and mental health issues. The second was a snapshot of the author’s charity work and related success stories. I finished July with a novel about escaping from Germany at the height of World War II.

What I read for fun

I managed three for-fun reads: one non-fiction and two fiction. Rutger Bregman is becoming a well-known figure and I’d highly recommend taking a look at Utopia for Realists. It contains some big ideas – ideas some may consider radical – but it is written in an accessible and engaging manner.

My fiction reads were Almost Love by Christina James and Assassin’s Apprentice by Robin Hobb. I was slightly disappointed by Almost Love: there’s a good story in there, but it needed a bit of a trim, in my opinion. And the text in the print edition is way too small: Sabon 9/10.5 is a no from me. Assassin’s Apprentice is a classic of the fantasy genre, and rightly so. I found the world-building particularly impressive (see the cutting of hair when in mourning) and liked the framing device of Fitz starting to tell a history of the Six Duchies.

Looking ahead

I have been asked to take part in #IndieAuthorChat as a guest on Tuesday 6th August at 8pm (BST). We’ll be chatting about proofreading for indie authors: what it involves, when it should be done, and what the value is to self-publishers. Do join us!

The Black Cat monthly round-up: June 2019

Black Cat Editorial Services_ June round-upI almost can’t believe we are halfway through the year already – where does the time go? I’m pleased that my workload has remained steady, and that I managed to find some time to enjoy the much-improved weather at the end of the month.

One of my June highlights was being asked to approve the typeset version of the review I wrote of On Editing – I’m not ashamed to say I was quite excited to see my words nearly ready for print! I think the review will feature in the July/August edition of Editing Matters.

What I’ve been working on

I finished off the fantasy-romance edit I started in May. The author was delightful to work with and I hope she finds great success with her novel. I also completed the second part of the short-story collection I began in May – it was great to see the themes coming together and the realisation of the direction of the piece as a whole.

I was then on to two fiction proofreads. One a modern-day revenge thriller and the other an action thriller set during the Second World War. I followed these with the proofread of a long and complex non-fiction book on how our brains absorb visual information. It’s good to do something different every now and then, but this project reminded me how much I prefer to work on fiction.

What I read for fun

I managed one book this month: The Invisible Library by Genevieve Cogman. It has a great concept and the story rolls along nicely. It did make me think, however, about the art of using punctuation. The correct use of punctuation is, of course, important, but I think those little marks need to be wielded with style and sensitivity. For example, if the reader has to stop and re-read the sentence to make sense of what the dashes are doing, that’s a problem. If the reader (I admit this may be specific to me) is thinking about how ugly the punctuation combinations are, they aren’t absorbed in the story anymore. The punctuation should help the words flow by, should clarify and reinforce meaning, and all while being unobtrusive.

Looking ahead

Early July sees another SfEP local group meeting. We’ll be talking about our favourite books and other resources when we are working or training. I have a few go-tos (hello, newly re-branded Lexico) and it will be interesting to find out what other editors recommend.

The Black Cat monthly round-up: May 2019

20190516_082827

Mini and Ella having a snooze after a walk.

Welcome to the May round-up. I had another full-on month – I’m starting to think this is the standard now and I should get used to it. I’m getting on well with Toggl, and I have found it has significantly increased my productive time.

We had a good time at Black Cat HQ, with Mini visiting for a week or so mid-May. Her dad had swanned off on holiday, again (this time to Spain). Mins is an absolute sweetheart, and Ella always loves having her here.

One of the other highlights of the month was the SfEP local group lunch meeting. It’s always an enjoyable few hours, but this was a particularly lovely meeting. We had a couple of new faces, but the atmosphere was still warm, friendly and unguarded.

What I’ve been working on

May started with the proofread of the memoir of an economist and former banker, which was straightforward enough. Alongside that, I copy-edited the first part of a varied and thoughtful collection of short stories. My second proofread of the month was a crime novel set in London and dealing with issues of sexuality and gender. And then I got stuck into the edit of an epic (in length as well as content) fantasy-romance novel. I don’t usually work on romance titles but the quality of the writing and the strength of the fantasy elements enticed me to make an exception.

What I read for fun

I mentioned in the April round-up that I would be writing my first review for the SfEP’s Editing Matters magazine. Well, I read the book and I wrote the review. The book I tackled was On Editing by Helen Corner-Bryant and Kathryn Price. I won’t spoil my review but I loved the book and I’d highly recommend it for fiction authors and editors.

The Princess Bride Black Cat Editorial Services_ May round-up(1)by William Goldman was my only fiction read this month – yet another classic I really should read already (I have recently bought a whole load of classics to try to address this failing of mine). It is, of course, brilliant, and if you love the film you will love the book. Perhaps the most striking thing, for me, is the framing device of Goldman editing the work of the fictional author S. Morgenstern. It took me a while grasp the complexity of the whole thing – Goldman narrates as a fictionalised version of himself, weaving a story within a story. If you are thinking about using a framing device in your work, you should check out Goldman’s stunning, intricate example.

Looking ahead

I have a couple of projects to finish off for the beginning of June. I’m hoping to put aside a few days to start working through the SfEP’s Introduction to Fiction Editing course. I aim to do at least one training course each year to support my continuing professional development. I love working on fiction, I have heard good things about the SfEP’s course, and I had a discount voucher to use up – it seemed the obvious choice.

The Black Cat monthly round-up: April 2019

April is the start of a new financial year for me, and I’ve implemented a few changes. I’ve decided to get serious about tracking productivity – I’ve signed up for Toggl so I can record the time spent on projects and related tasks, and it should make clear how much of the working day I waste scrolling through Twitter or playing with the cat. Now I’ve settled into the Black Cat Editorial Services brand, I’ve set up a spreadsheet to track enquiries I receive and where the enquirer found my details. I’m hoping to work out where my marketing efforts are best focused – at the moment it looks like joining the Alliance of Independent Authors (ALLi) was a good step.

Black Cat Editorial Services_ April round-upWhat I’ve been working on

I worked on four projects in April. I completed the proofread of a fiction novel about an unsolved murder and moved on to the biography of a Spanish composer. I followed the biography with some historical fiction about life and politics in a small Welsh town, and finished the month by proofreading a collection of accounts about the authors’ relationships with God and their religion. I absolutely love how diverse my work is.

What I read for fun

OK, I’m putting this here because it was enjoyable to read, even if I approached it as a source to inform my editing practice: Writing a Novel by Richard Skinner. Skinner is a creative-writing teacher at the Faber Academy, and it shows. I highly recommend this quite slim volume – it’s full of excellent advice and techniques, and its tone is positive and encouraging.

I managed one fiction read for this month: The Bone Season by Samantha Shannon. (I seem to keep coming to popular series late.) For a long book – 452 pages – it rattles along at a decent pace, and I was swept up with it.

Blog posts

I shared a few blog posts this month. The first was Denise Cowle on why the Grammar Police aren’t cool. I agree with her – and particularly on her point about being kind. Aeryn Rudel, writer of the Rejectomancy blog, has been writing and posting excellent microfiction of late, and his blog post on the benefits of producing such pieces is very interesting. I think he is spot on about it being a brilliant way to practise self-editing.

I’ve been taking part in the new Twitter chat (#IndieAuthorChat) organised by ALLi (Tuesdays, 8pm UK time) and it has been very enjoyable – I’d recommend joining in. One of the best things I have picked up from it is Alison Morton’s tracking grid, which she has kindly shared on her blog. It’s a simple, straightforward way to keep track of a novel’s timeline and summarise the events that have occurred.

Looking ahead

The West Surrey and North Hampshire SfEP local group is meeting mid-May, and I’m looking forward to catching up with the other members. And as if my editing work wasn’t enough, I’m undertaking my first book review for the SfEP’s Editing Matters magazine – I’m a bit nervous about it but I think it will be fun.

The Black Cat monthly round-up: March 2019

I predicted, in my February round-up, that I would be a bit tired by the end of March. I was right. This is a long round-up. Let’s get into it.

What I’ve been working on

I’ve had my greedy little mitts on four projects this month. I finished off the two fiction proofreads I started in February – one a medieval romance and the other the contemporary tale of a fight to save much-loved communal land. Then I was straight on to an alternative history novel. The author delved into the horrifying consequences of a different ending to World War II – and it wasn’t the obvious different ending.

My last project will take me into April (April already!). It’s a work of fiction based on a real-life murder, and the author has deftly woven the story using points of view from two first-person narrators and an omniscient narrator – a tall order to pull off.

The fiction editors’ mini-conference

Black Cat Editorial Services_ March round-upThis was the first of my trips to London in March, and for this train journey I treated myself to a first-class ticket (what decadence). It got even better when I arrived at the venue to find several platters of pastries on offer.

The first session was Efficient Editing – Your Way with the brilliant Kia Thomas. Kia knows how to deliver a good session, and I picked up some handy tips for making the most of Word. The second session was on Manuscript Critiques. Aki Schilz and Anna South gave interesting insights into how they approach manuscript assessment. They both stressed the importance of being frank, but respectful, when working with authors. It’s all too easy to create or encourage unrealistic expectations. This was a point that struck a chord – it’s important to me that I am honest, but sensitive and empathetic, when I work with authors.

After lunch (a lovely buffet, the highlight of which was the smoked salmon on focaccia) was the third session: Some Points of View on Point of View with Tom Bromley. It was my favourite session of the day. Tom has a vast amount of experience and knowledge to share – I could have listened to him for a few more hours, to be honest. The final session was on How Editors Can Help Indie Authors. Orna Ross and Roz Morris shared their thoughts on the editor–author relationship within self-publishing, and talked about some of the current issues and innovations within the self-publishing arena.

Sarah Calfee and Carrie O’Grady did a fantastic job of organising the conference. I had a great – if long! – day, and I was very glad to have the wonderful company of my SfEP buddy Louise Pearce, of Refine Fiction, during and when travelling to/from the event. Thank you, Louise.

The London Book Fair

I was back to London (standard-class ticket this time – I’m not made of money) for the annual book fair. It’s a super day out for those in the publishing industry, although it did seem to lack a little of the sparkle it had last year. I dropped in, of course, to the SfEP stand to say an awkward hello, and managed to catch the end of a discussion on KDP at Author HQ. The Children’s Hub hosted a panel session called Diversity: Where’s the Issue? which I was pleased I was in time to listen to. The panel were spot-on with their assessment: diversity should be included naturally and incidentally. On a personal level, it felt particularly relevant because I had recently had the difficult task of pointing out to a client (a publishing house) some issues with the manuscript they had sent me. I was fortunate, later in the day, to be able to listen to a reading by and discussion with Seno Gumira Ajidarma.

What I read for fun

A copy of Terry Pratchett and Neil Gaiman’s Good Omens accompanied me on both of my trips to London. If there’s one thing a train journey is good for, it’s having time to get stuck into a book. I’ve no idea why it has taken me so long to get round to reading Good Omens. It’s everything you would expect, really. Bring on the TV adaptation.

Perhaps the most important thing I learned at the London Book Fair is that Titan have commissioned three novels set during the timeline of the Firefly TV series. I was just a tad excited (and baffled as to why I hadn’t heard of it sooner). I immediately ordered the first one: Big Damn Hero. It’s entertaining enough and I’ll read the second book, eventually.

Alongside Good Omens and Big Damn Hero, I made my way through The Art of the Novel. It’s a collection of essays (edited by Nicholas Royle) on the writing of novels, and I like it very much. It provides little snippets of insight into the minds of the contributors (all novelists). The authors and subjects are diverse, and the advice is sound.

The Black Cat monthly round-up: February 2019

February felt like a very short but busy month at Black Cat HQ. I’ve been fortunate to have a lot of projects come my way. Around my editing work, I managed to fit in a lovely afternoon tea with my sister and a few days in the beautiful county of Yorkshire. The unseasonably warm weather, while worrying for the future, made it a very pleasant trip.

Black Cat Editorial Services_ February round-upWhat I’ve been working on

I completed the proofread for the PhD thesis I started work on in January. The end of this overlapped with the edit of a sci-fi/horror novel for a well-established independent author. I don’t often get to edit science-fiction, and I thoroughly enjoyed doing it. And I don’t often edit US English – although I frequently proofread it – and to do so with this project was an interesting departure from the norm.

My next project was the proofread of a story exploring the idea of eternal love. Parts of it were set in a country in east Africa and parts of it took place in the UK – a juxtaposition that was used to good effect.

I have two projects on my desk as I write this, and they will take me into early March. Both are fiction, but strikingly different. The first is the story of a rural village’s fight against the development of communal land. The second is an epic re-telling of a doomed medieval romance.

The CPD session

The West Surrey and North Hampshire SfEP local group held a continuing professional development session on professional practice. It was, in theory, led by me (not a role that comes easily) but I was pleased – although not surprised – that the group members were chatty, enthusiastic, and generous with their thoughts. We shared ideas and techniques for a wide range of interactions with clients and focused heavily on the paperwork we use (such as project agreements, style sheets, and feedback forms). I have to say I found the session extremely valuable. I will be making changes!

Looking ahead

The West Surrey and North Hampshire local group has a lunch meeting in early March. A few days after that, I will be off to London for the fiction mini-conference. The line-up looks brilliant, and I am really looking forward to it. I am hoping to find the session on helping self-publishing authors particularity useful. A day or so later I will be back in London, with a couple of my favourite SfEP colleagues, for the London Book Fair. We went last year and had a great time. I expect to be completely knackered by the end of March.

The Black Cat monthly round-up: January 2019

img-20190102-wa0005

Ella with her hurty paw.

The new year didn’t have the best of starts for poor Ella. She managed to split one of her nails down to the nail bed, which was very painful, and she had to have the nail removed under anaesthetic. She spent a few days with a bandaged paw, and she had to wear a plastic boot when out on (short) walks. She sounded like a small horse clopping around. In true spaniel style, she finished January with another injury – a snapped dewclaw. I’m hoping she’ll be more careful with her paws in February! The recent snow has certainly cheered her up.

What I’ve been working on

I managed to pack in a lot of work during January, and it couldn’t really have been more diverse. My first project was an account of the adventures of a community of dowsers – many of the events reported took place in warm and sunny climes, which was a nice antidote to the January weather. The second project was an elegantly structured novel about a young man who finds himself in big trouble with a local mob boss. My third and final January project will run into February – I’m proofreading a well-researched and interesting PhD thesis on the healthcare sector.

What I read for fun

I managed to pack in a lot of reading for fun as well – January was a long month. I started with Six of Crows by Leigh Bardugo. I bought the absolutely stunning collector’s edition, and I’m glad I did. It’s fast-paced, moving and quite dark, with a welcome streak of humour.

I pre-ordered the The BBlack Cat Editorial Services_ January round-upinding by Bridget Collins some time ago, on the strength of the premise and the book’s aesthetic. It was released in early January (my copy actually turned up before the release date), and I was not disappointed. The cover is truly gorgeous  – I gasped when I peeked under the dust jacket. The story itself is beautifully written, powerful and engaging. The implications of the book’s core concept are quite terrifying.

I’d heard good things about Eleanor Oliphant is Completely Fine by Gail Honeyman, and it lived up to the hype. It’s deeply sad, but there are passages that made me snort with laughter. I can’t remember the last time I read a book with such a strong narrator’s voice. Eleanor seems to me to be a truly unique character.

My final read of this month was Record of a Spaceborn Few by Becky Chambers. It seems strange, considering the heartbreaking things that happen in the Wayfarers books, that I should find the novels so comforting. I wasn’t sure I would like the style of this one – multiple stories, each from a different character’s perspective, eventually coming together to tell a bigger story – but I loved it. It worked brilliantly.

Looking ahead

The West Surrey and North Hampshire SfEP local group is meeting in mid-February for a tips and techniques session on professional practice. We’re going to look at how we interact with our clients, and the aim is to help each other improve and develop the strategies and tools we use. But what I’m really looking forward to is the bring-and-share lunch.