I had a fairly quiet and relaxed start to the new year. It was nice to have a little unscheduled time (by which I mean I could have a lie-in more often), but life doesn’t appear to approve of that sort of thing and I soon had a poorly cat to contend with. He gave me a real scare for a while, but he seems much better now. Our new local vet was great and the staff were very kind to Oscar’s panicky human.
What I’ve been working on
I finished off the copy-edit of an epic fantasy/sci-fi novel that I’d started in December. I’ve spent a lot of time with the characters in the series by now and I am becoming very attached to them – I suspect this won’t end happily for me since the author is not afraid to trim the cast list… My next two projects will take me into February. The first is the copy-edit of a business-focused family saga from an experienced author for a publishing services client. The second is the critique of a work of truly epic fantasy, with a narrative voice that is unusual in modern fiction.
Looking ahead
In an attempt to ‘get out there’ and do new things, I have booked a taster session at the local wall-climbing centre. Wish me luck…
This is the fifth December round-up for Black Cat Editorial Services, which seems like an achievement in itself. As is tradition, it is time to consult my project-tracking spreadsheet. It tells me that my 2022 projects had a combined word count of 2,873,453. That’s slightly down on 2021, but it takes my career total to more than 15 million words. Some of the drop is explained by my tutoring time increasing to 176 hours for 2022. A good chunk of that was down to the CIEP’s end-of-year discount on courses in 2021 – it was very successful in attracting new students – so I’m not expecting it to be so high in 2023.
What I’ve been working on
I finished the critique I had been working on – contemporary romance (even with elements of fantasy) is a little outside my wheelhouse, but it was enjoyable to work on something a bit different to my usual fare. I moved on to the copy-edit of a manuscript I had critiqued an earlier version of. It’s always a huge compliment when one of my critique clients asks me to take on the copy-edit of their revised work, and I love being able to see how the story and characters have developed in response to the feedback I gave previously.
Book reviews
My latest book review for the CIEP has been published. It was a pleasure to read Louise Willder’s Blurb Your Enthusiasm: An A–Z of literary persuasion. It’s a book that can be read for fun and for a purpose – if you are an independent author who struggles to write cover copy, this would be a great place to look for inspiration.
Book post
I am fortunate to have some absolutely wonderful clients, and one of them is Ashleigh Bello. We first worked together during the first UK lockdown, when she was one of the precious indie clients who kept me going during that difficult period.
I’ve worked on five of her books in total and it has been one of the best experiences of my editing career so far. I think a great editor–author relationship is built on trust, honesty, team work, and humour, and we’ve pretty much got it nailed. It was a lovely Christmas present, then, to receive a copy of the beautiful paperback Ashleigh has produced for the first instalment in her epic fantasy series. I continue to be astonished by the quality of the cover art and I think it does justice to the world and characters she created.
Ashleigh’s very kind words made me a bit teary when I read them. I can’t really express just how much it means when a client takes the time to do something like this. It makes all the tough times worthwhile. I look forward to working together again soon. I know – spoiler alert – there’s a Belvedor prequel coming in 2023 and I can’t wait to find out what happens!
Looking ahead
I didn’t have that much of a Christmas break this year, so I’ll be taking the opportunity to relax a little at the beginning of January.
November was my first month in my new home and it has taken quite a lot of adjustment. I’ve done a lot of cleaning and built a lot of furniture – but now I’ve got a bookcase with some space free in it! My books aren’t in piles! There have also been some trials, the most concerning of which was the not-working downstairs heating. I was very glad it was fairly mild early in the month. But it has been overcome, and I am pretty much back up and running (not literally – the occasional walk will do).
What I’ve been working on
I had an unusual proofread from one of my publishing services clients – a fictionalised memoir – and it was interesting to see how the author handled this concept. Where’s the line between truth and fiction? Does it matter? I suppose it depends on the reader and their expectations. My other project this month was the critique of a contemporary romance with a twist, and that will take me into December. I’ve also had a book to review for the CIEP – I’ll post a link to my review once it is published.
A new blog post
I mentioned the start of my editorial business in my previous round-up post and that prompted me to write a blog post about it. (I’ve titled it ‘Editing essentials’, which I might adopt as a series to go along with my sporadic ‘Fiction essentials’ posts.) How do I get started in proofreading? is a question that pops up a lot in editing forums, and I know I’m not the only editor to have people email them with similar questions. When I was a local group coordinator for the CIEP, we’d often spend a good chunk of our meetings talking about this – and I think that’s only natural. It is hard work and it is daunting, but it can be done. I wanted to share how I did it in case it helps anyone else at the beginning of their journey.
Looking ahead
I will probably take a short break for Christmas and New Year’s, but I expect to be working through most of the festive period.
We had a heatwave in the UK and I was yet again grateful that I invested in a portable air-conditioning unit a few years ago. It’s only useful for two to three days a year (although that will change, I am sure), but it’s still money well spent. There’s no way I could proofread accurately in temperatures around and above 40°C.
What I’ve been working on
I finished off the psychological thriller critique I started in June, alongside the proofread of a YA fantasy novel. I moved on to the copy-edit of a satirical crime thriller by an author I have had the pleasure of working with before. I also had a memoir to proofread for one of my publisher clients – I find I enjoy proofreading the occasional bit of non-fiction, as long as it doesn’t come with an extensive reference list or lots of footnotes. Which is just as well, as this was followed by another memoir, and I’ll complete that in early August.
What I read for fun
I managed to fit in one for-fun read in July. I’d had The House in the Cerulean Sea on my TBR list for some time. I wanted something relatively soft and gentle, and I think this book fits the bill. Throw in my favourite trope – found family – and I’m sold. It’s a lovely fantasy story, with sprinkles of wonderful humour and a touch of melancholy. It’s a tale about hope and love and acceptance, and I think we need more of those in the world.
May saw the first in-person meeting of the CIEP’s West Surrey & North Hampshire local group for more than two years. It was lovely to be able to see members face to face and to have a conversation that wasn’t limited by the reality of Zoom meetings. We were supposed to have a chartership celebration in 2020, but COVID made that impossible. I’d stowed away the shiny branded pens, pencils and bookmarks I had been intending to give out at that time, and I was able to hand them over to Ellen, our new coordinator, for her to distribute. It felt a little sad, as that was my last task as part of my coordinator responsibilities, but I know it is the right time to move on.
What I’ve been working on
I finished off the copy-edit of a zombie horror novel I started in April. I’d critiqued an earlier draft of the manuscript, so it was rewarding to see how much it had improved and interesting to see how the author had decided to tackle the issues I’d raised. I moved on to the copy-edit of another novel I’d previously critiqued, and it is a sequel to a book I worked on last year. It’s always fascinating to revisit characters I am familiar with and to find out what the author has decided to throw at them this time. This copy-edit will be with me until mid-June. May brought me two proofreads for publisher clients – one was a sort of biblical fairy tale and the other was a historical adventure romance.
What I read for fun
I took my Kindle with me on my trip to Scotland and the book I had lined up was Legends & Lattes by Travis Baldree. I kept reading good things about it on social media, and the real world is terrible and I really needed something cosy to distract me. I got exactly what I wanted: an interesting fantasy world, likeable central characters, relatively low stakes, found family, and lots of descriptions of pastries. I’d recommend buying yourself a cinnamon bun before you start this one – you’ll end up very jealous of fictional people otherwise. I believe it was originally self-published and has now been picked up by Tor, so it isn’t available on all platforms at the time of writing, but that’s an inspiring story in itself.
A new blog post
After far too long, I managed to find the time and brain capacity to write a new entry in my fiction essentials series. Following on from my post on how to punctuate dialogue, I’ve taken a closer look at vocative expressions – what they are, how they work, and why they are important.
A weekend in Scotland
I took the Caledonian Sleeper service from London Euston to Dumbarton and it was quite an experience. One of the things I liked most was that club tickets give you access to the first-class lounge at Euston, and that is a place where you can eat as much cake as you like, for free. A man sitting behind me had at least four scones. Other snacks, soft drinks, and hot drinks are also available. If I had realised beforehand, I would not have forked out for disappointing halloumi in a London Nando’s. The train experience itself was a bit hot and stuffy, but I found the rhythm of the train quite comforting to fall asleep to.
Perhaps the highlight of my trip was a visit to Loch Lomond’s Sea Life centre. We were lucky enough to see the otters at feeding time and get close to April, the rescued turtle. She lost her right flipper when she was entangled in netting and her ongoing buoyancy problem means it isn’t possible for her to go back to the wild. She seemed happy enough being hand-fed and the centre of the keeper’s attention, though.
Looking ahead
I’m off for a weekend in Brighton to celebrate my sister’s birthday (it’s one of those big ones). I’ve booked rooms at the Grand, and I’m looking forward to feeling very fancy for a little while.
I took a fairly extended break over Christmas and New Year’s, but it still feels like I was back at my desk rather quickly. I think there might be something wrong with time in general – January itself has been and gone in a flash. But let us put aside my general displeasure with the progression of time. January 2022 marks a significant change in my professional life, which I will talk more about below.
What I’ve been working on
I have eased back into work with three proofreads, all for my publisher clients. The first was non-fiction, which is something of a rarity for me now. The second was a contemporary thriller and the third was irreverent speculative fiction. At the end of January I took on my first critique of the year and that will stay with me until late February.
What I read for fun
I have two for-fun reads to report for January. I’d had both of them sitting in my TBR pile for some time and I’m pleased to report that past-me was right to buy them. The Cat Who Saved Books, by Sosuke Natsukawa, is an international bestseller and I can see why. It’s a lovely short novel with quirky characters and lots of depth. The Haunting Season is a collection of ghost stories, most of them very gothic in feel. Natasha Pulley is one of my favourite authors and she contributed to this collection, which is what convinced me to purchase it. The storytelling is generally solid and enjoyable, and there are some interesting ideas wrapped up in these tales. One of the things I like most about short stories like these is the deliciousness of an abhorrent central character making their way towards the ending they thoroughly deserve.
Goodbye to coordinating
I have been the coordinator for the CIEP (formerly SfEP) West Surrey and North Hampshire local group for nearly five years and I have decided that it is time for me to move on. My workload has increased significantly since I took on the role and I can no longer give the group the time and attention it deserves. It has been a wonderful experience and I am grateful that I was given the opportunity to look after our little corner of the CIEP. It has taught me so much, and it’s not an exaggeration to say that I am a different, better person now because of my time as a coordinator. I have made some incredible friends and I will always regard the group with great fondness. I am delighted that Ellen Rebello has agreed to take over the role and I know that the group will be in excellent hands.
This is my fourth November round-up. In my first one, I talked about joining the Alliance of Independent Authors (ALLi) – it doesn’t feel like it can be that long ago that I was waiting to find out if I would pass their vetting process. I did, and it’s been a worthwhile experience; I am glad I took the step to join. ALLi is a great source of information and support, for indie authors and for the services that help them. I’ve met some great people via the organisation, including some clients I have gone on to work with many times. I see the decision to join ALLi as a bit of a turning point. Along with my achievement of Advanced Professional Member status (July 2019) with the Chartered Institute of Editing and Proofreading (then the SfEP), it is a major contributor to the success of Black Cat Editorial Services so far, and I hope that will continue.
What I’ve been working on
I finished the two copy-edits I had been working on in October. I followed these with the copy-edit of an unusual, thought-provoking ghost story and some short stories for one of my long-term indie clients. I also took on the proofread of a political thriller for one of my publisher clients. My BA is in politics, so it was interesting to see my current specialism meet with my academic specialism.
Looking ahead
I will be slowing down for a break over Christmas. However, I do need to get my formal CPD for 2021 done, so that will be something to focus on in December.
There are few things better than book mail. One of those things is receiving a copy of a book that you worked on. I got one of those in September – and it had come all the way from the USA. It always means such a lot to me when one of my clients sends me a copy of the completed work, and when they have thought about a lovely inscription to include. I am a fairly stoic person, but it does make me a bit teary when people say nice things about me. If you are reading this, Steven, thank you again. It was a pleasure to critique the manuscript (and that of the sequel).
The conference
The CIEP’s second conference was held in September, and it took place online, for obvious reasons. Although I would enjoy going to an in-person gathering again, there are plenty of benefits when the sessions take place online. Perhaps the biggest one, for me, is that the speakers can be from all over the world, so we can access knowledge and viewpoints we might not have been able to before (not everyone has the time, means, ability, and desire to travel to the UK to give a one-hour presentation). I hope this aspect can be retained for future conferences. You can read more about the conference and the sessions that were available here.
What I’ve been working on
September was a fairly quiet month for editing projects. I finished two projects that continued from August – one the copy-edit of a dark, psychological tale and the other the proofread of a collection of short stories. I also had the critique of a YA sci-fi/fantasy novella, which I thought held a lot of promise as the beginning of a series.
What I read for fun
I have started reading Richard Osman’s The Man Who Died Twice and I am really enjoying it. There is some ongoing commentary about the prevalence of ‘celebrity authors’ and their effect on the publishing industry (and rightly so), but I think Osman’s success is not just to do with him already having a fairly high profile. His books are enjoyable – the stories are intriguing, the characters are fun to spend time with, and the prose is witty and accessible.
Birthday business
I am another year older, and I don’t know where the time is going. I used my birthday as an excuse to take a couple of weeks off – there wasn’t much point last year as we were still in the grip of COVID lockdowns. The focus of my birthday celebrations was a trip to the Isle of Wight, one of my favourite places. I had a lovely time visiting the Garlic Farm, the donkey sanctuary, and Shanklin Beach. I ate far too much, but I was happy.
I also made two trips to a beach a little closer to home, where Ella could have a good swim and I could enjoy some chips and ice cream. I’ve have gone to Lee-on-the-Solent at least once every summer since I was a small child, and I’m glad to have kept up the tradition.
This year has delivered another blow. It had been clear for a while that Sally was feeling her age – and the combined effects of multiple health issues. She was no longer enjoying life, and with kidney failure on the horizon, we had to say goodbye. She was seventeen years old (at least – she was a rescue and she was no younger than three when we adopted her). Here she is (the collie cross on the left) with the rest of my silly gang. The house is so quiet without her and her happy tip-taps.
What I’ve been working on
July was a busy month for work. I finished my copy-edit of an adult post-apocalyptic epic and the proofread of a young adult fantasy romance. The proofread was for a publishing client, and I was touched that the author took the time to request they send me her thanks for my work.
I moved on to the copy-edit of a beautiful collection of short stories. Speculative fiction is my favourite genre when I read for fun, and these stories were excellently constructed and told. I was lucky to follow that work with the copy-edit of a fantasy novel that had some of the best point-of-view work I have read from an indie author. I wrapped up the month with the complicated proofread of a semi-autobiographical novel set predominantly in Wales.
On the blog
I published a long article on how to punctuate dialogue in fiction. The idea behind this post is to support my editorial reports (and it will probably help my critiques, too). It is an easily accessible resource for my clients to consult, and it goes into much more detail than I would be able to provide in each report I write. I find that the punctuation in and around dialogue is one of the things I regularly have to address when I copy-edit, and proofread; hopefully the article will be of help to writers who find punctuating speech difficult or a bit confusing. My aim is to produce a series of ‘fiction essentials’ posts.
What I’ve been reading
I wanted to spend some time hanging out with Martha Wells’ Murderbot, so I read Artificial Conditionand thoroughly enjoyed it. I especially appreciated the introduction of ART – it takes great skill to construct a compelling character who happens to be a transport ship.
I’m in the middle (roughly) of reading Queenie by Candice Carty-Williams. It’s a complex novel – in turns funny and heartbreaking, and at times frustrating. On a technical level, though, I love how the author has integrated social media into the storytelling. It works brilliantly. I’m also reading The Black Hawks by David Wragg. I nearly didn’t get past the first few pages – in which the main character poddles about with a hangover and has breakfast – but I’m glad I did. It has an interesting ensemble cast, a likeable central character, and plenty of action.
Welcome to the June round-up! We’ve done half of 2020. To be honest, June felt like a very long month. But things are, at the moment, looking up. My mum has finished her radiotherapy treatment, I’ve got a whole heap of bookings for the next few months, and the weather can be described as moderately warm rather than absolutely baking. Lockdown restrictions may be easing but I won’t be rushing to the pub or the hairdresser any time soon (I don’t think my hair has ever been this long before).
What I’ve been working on
It is a relief to be able to say that my workload is continuing to build back up. June was a busy month but I was fortunate to work with some lovely authors. I finished the edit of the sci-fi thriller I started in May. It was a heavy edit encompassing a lot of point of view tweaks, and I’m really quite pleased with the final result. It was a total change of mindset when I moved on to the proofread of an accomplished mystery thriller. The copy-edit of an adult dystopian epic will take me into July, as will the copy-edit of a fantasy short-story collection. In more good news, publisher work seems to be starting to trickle back in – I’ve got the proofread of a YA fantasy romance to keep me very busy.
Professional development
I surprised myself by managing to fit in some training in June. I took Louise Harnby’s course How to Write the Perfect Fiction Editorial Report. It provides a lot of valuable information and advice, and I’m looking forward to putting it into practice for my future copy-editing commissions.
What I’ve been reading
M. B. Vincent’s A Death in the Woods was my companion for the last of my waits in a hospital car park. It’s the sequel to Jess Castle and the Eyeballs of Death (a much more intriguing title, that). I don’t think it’s going to win any awards for originality, but there are times in life when you don’t necessarily need that. It’s a comfort blanket of a book (despite the serial killer). It’s funny and the characters are likeable, and the series deserves more attention than it seems to be getting.
Looking ahead
After the success of the last meeting, I’ll be hosting another Zoom catch-up for the West Surrey and North Hampshire Chartered Institute of Editing and Proofreading local group.