November saw England back in lockdown. Fortunately, this time, it hasn’t had any effect on my schedule or workload. When this lockdown ends, my local area will be subject to tier 2 restrictions (‘high alert’). I don’t expect this to make much difference to me – I can’t remember the last time I left the house to do something other than walk the dog that wasn’t food shopping or an essential appointment.
What I’ve been working on
Being trapped in the house seems to have been good for my productivity level. I had a couple of non-fiction proofreads this month – one a thoughtful exploration of how the Church of England can overcome its current divisions, and one an engaging account of a charity walk around the British coast. I enjoy walking (probably a necessity when one has a springer spaniel) but I don’t think I could do it for days on end, let alone months. My fiction work has been equally as diverse. I finished off the copy-edit of the novel I found difficult to place in a particular genre (I still can’t). Then I moved on to the proofread of a science-fiction novel – I worked on the first book in the series last year, so it was interesting to see how the story has progressed. The second half of November saw me immersed in a fantasy fiction copy-edit for one of my publisher clients, and I have started the copy-edit of another fantasy fiction epic from a returning indie client.
What I read for fun
Surprisingly, I did manage to get in a couple of for-fun reads in November. I usually try to fit in a ‘spooky’ read around Halloween. I was a couple of days late starting it, but this year I went for The Witch of Willow Hall by Hester Fox. One of my indie clients mentioned Hester Fox’s work as a comparison for what he is trying to achieve in his next novel, and so I thought it would be worth having a look. It’s not a particularly scary book, but it is atmospheric, romantic, and heartbreakingly sad. There’s a lot of heartbreakingly sad going about, and my next read wasn’t an exception. I returned to Martha Wells’ Murderbot for another adventure, this time in Rogue Protocol. As usual, Murderbot is a joy, but there’s an emotional gut-punch at the end of this instalment.
The CIEP conference 2020
The in-person CIEP conference was, of course, cancelled this year. But that didn’t stop the institute from coming together to put on a virtual conference instead. I attended all of the sessions on the first day. The highlight of those was Sarah Grey’s session on inclusive language. I was at Sarah’s 2018 conference session, so I knew it would be good, and I was not disappointed. I also have to say that Hugh Jackson, the CIEP’s chair, did a wonderful job during his welcome speech. Unfortunately, I had to get back to work on days two and three, so I am planning to watch the recordings of those sessions during my Christmas break.
My local group would usually have a Christmas social in early December. This year we will be having our meeting via Zoom – I hope to see plenty of mince pies being scoffed.