The Black Cat monthly round-up: June 2022

In my May round-up, I mentioned a zombie horror novel I’d been copy-editing. I had previously critiqued the manuscript. Well, the absolutely fabulous news is that it has been picked up for representation. I am beyond delighted for my client – I know she had hoped to traditionally publish before deciding that self-publishing may be the best option for getting the novel out to a readership. I have to say, I was a little emotional to read the words ‘I believe you helped me get representation’.

What I’ve been working on

I finished off the copy-edit of the thriller I’d started in May and moved on to an absolute beast of a proofread – more than 215,000 words. I seem to have had a run of long manuscripts lately. Fortunately, this had been well copy-edited. It is the first contemporary novel I’ve worked on that uses the beginning of the pandemic as a key part of the storyline – I found it quite moving to look back at a time that was, really, quite naive, given what we know now. My next proofread, which will finish at the beginning of July, was young adult fantasy fiction – a breeze at ‘only’ 110,000 words. Alongside those, I have been working on the critique of the final instalment of a dark and twisting thriller series. I think the author has wrapped up an intense and, at times, disturbing series in a fitting manner.

A weekend in Brighton

Another month, another trip to a Sea Life centre. This time it was the world’s oldest aquarium – the building itself is stunning, even before you get to see the inhabitants. The turtles at this centre make April (mentioned in my May round-up) look like a tiny wee thing – one of the turtles at Brighton weighs twenty-eight stone (about 178kg). They really are astonishing.

A trip to Brighton wouldn’t be complete without a trip to the pier. The arcade was full to bursting, but I enjoyed the obligatory chips, and treated myself to some fresh doughnuts (I definitely didn’t eat all of them myself…).

The Grand was pretty much as amazing as I had hoped it would be. I was tickled to realise that my sea-view balcony was the one that has the iconic ‘GRAND’ sign on it. It’s not quite so great when it glows all night, but that can’t be helped. It was a good break and I would love to go back.

Looking ahead

There’s a CIEP local group lunch scheduled for July, which I am looking forward to. And I have been called upon to help my friend choose suitable flavours for his wedding cake – a job I am more than prepared to tackle. Bring on the samples.

The Black Cat monthly round-up: October 2020

As I write this, England is coming to terms with the idea of another lockdown – this one due to begin on Thursday 5 November. I am yet to hear if this will affect my schedule for the rest of the year, but I am hopeful that it won’t.

What I’ve been working on

October was packed with work. My first paper proofread for many months was a memoir, and I moved on to the proofread of a business book aimed at women leaders. This was followed by the proofread of the final instalment of a thriller series that has been on and off my desk over the best part of a year. I’ve also had the critique of a science-fiction/fantasy novel to occupy my time. I’m in the middle, roughly, of a copy-edit of a novel I would find hard to place in one particular genre, but it’s a tour de force in how to manage distinctive points of view and break the fourth wall.

On the blog

I published the latest blog post in my ‘Fiction essentials’ series. This one deals with the use of dialogue tags. I can also report that the CIEP has published my review of Jacqueline D. Lipton’s book Law and Authors: A legal handbook for writers.

What I’ve been reading

The Devil and the Dark Water is Stuart Turton’s second novel. It’s an enjoyable read – I got through it in a few days, and it is a chunk of a book – but while the ending makes sense, it feels hollow and unsatisfactory. In a bit of a departure from my usual genres, my next read was The Secret Political Adviser. It delves deeper into the mythology behind Michael Spicer’s ‘The Room Next Door’ skits (if you haven’t seen them, it’s worth looking them up on YouTube). It is an amusing, occasionally laugh-out-loud funny, journey through some of the significant political events of the last four years.

Looking ahead

The CIEP’s online conference runs from Monday 2 November to Wednesday 4 November 2020 and I am looking forward to taking part. The West Surrey and North Hampshire local group is due a Zoom meet-up, so I will be aiming to organise that for the latter part of November.

The Black Cat monthly round-up: May 2020

Well, May has been (on a personal level) a distinct improvement on April. After more than a few tests, my sister has finally been declared negative for COVID-19. I probably don’t need to tell you that it is a huge relief.

I decided to jump on the Zoom bandwagon and set up a meeting for the West Surrey and North Hampshire Chartered Institute of Editing and Proofreading local group. We ‘met’ for a couple of hours, and it was lovely. It was great to see so many familiar faces, and I was pleased to hear that our members are generally coping as well as can be expected in the current circumstances.

Black Cat Editorial Services_ May round-up(1)What I’ve been working on

I spent a good chunk of May on a critique of a YA (young adult) epic fantasy novel. The author was a delight to work with, and I am very pleased that I was able to give her helpful advice on how to elevate what is already a good novel. The rest of the month was spent on the copy-edit of a sci-fi thriller, set on board a Royal Navy warship. It’s one of the most complex fiction edits I have taken on, but the story is compelling and I’m enjoying helping it to shine.

What I’ve been reading

I’ve been taking my mum to radiotherapy appointments every weekday for a couple of weeks now and my Kindle has been my companion while I wait. I’d picked Tamsyn Muir’s Gideon the Ninth – a book that deftly combines necromancy, spaceships and lots of swearing – because I thought it would be a compelling, funny, wild ride. It is those things, but I didn’t realise it would be quite as devastating as it is.

Looking ahead

I will, hopefully, be getting back into the swing of having a full workload (despite the continuing lack of projects for publishing houses). I’ll organise a July Zoom meeting for the CIEP local group as it’s unlikely in-person gatherings will be allowed any time soon.

The Black Cat monthly round-up: April 2020

Black Cat Editorial Services_ April round-upApril seems to have been, in many ways, a lost month. I don’t know where much of it went, and I have achieved very little. I think Easter happened at some point. I can only hope this does not turn out to be the new normal.

COVID-19 has hit rather too close: my sister, who is a key worker, tested positive after experiencing fairly minor symptoms. Fortunately, her health is steadily improving, but I am finding it particularly hard that I can’t see or help her, apart from providing grocery and medicine drops.

In a bit of good news, my review of Dennis Baron’s What’s Your Pronoun? has been published by the Chartered Institute of Proofreading and Editing (CIEP). It was featured in the first-ever edition of The Edit, the e-newsletter for CIEP members, which was a lovely surprise.

What I’ve been working on

The COVID-19 crisis has significantly reduced my workload, and I am not going to pretend it is not of deep concern. All of my publisher work ceased in late March and will not resume for the foreseeable future. But, fortunately, I haven’t been completely without projects: I proofread the third instalment of an indie thriller series, and I am currently working on a critique of a young adult epic fantasy novel.

What I’ve been reading

I have the privilege of access to a garden, and I was able to spend much of the sunny weather reading outside. I had been saving Natasha Pulley’s The Lost Future of Pepperharrow for some time off; The Watchmaker of Filigree Street is one of my favourite books and I wanted to savour the sequel. The storyline doesn’t quite have the same magic as in the first book, but I still enjoyed Natasha Pulley’s writing style and being reunited with Thaniel and Mori. For me, though, Six is the standout character of this book.

I haven’t quite finished it, but The Science of Storytelling by Will Storr has been a fascinating read so far. It is focused on psychology and neuroscience – how stories and our brains affect each other and how we can use this knowledge to craft more engaging tales. Some of the concepts will be familiar if you studied philosophy at any point in your life (I did three years as part of my degree) but they are explored in an engaging and straightforward way (unlike anything I read at university). I can see Will Storr’s insights having a beneficial impact on my editing practice.

Looking ahead

Well, your guess is as good as mine, probably. I am tentatively thinking about organising a Zoom meeting for the West Surrey and North Hampshire local CIEP group – we will miss our in-person May meeting and I’d like to make up for that in some way.

The Black Cat monthly round-up: March 2020

Black Cat Editorial Services_ March round-upThe beginning of March seems like a different world to the end of March. At the beginning of March I attended a lovely lunch with the Chartered Institute of Editing and Proofreading’s West Surrey and North Hampshire local group. There were twelve attendees – nearly a record turnout. The next week, I met up with three of my favourite edibuddies. We went to Farnham and raided the bookshops and food establishments. (That’s not much of an exaggeration – I bought a lot of books.) If you like books and live at all near Farnham, the Oxfam books and music shop is the place to visit. The range is great and the prices are amazing.

Of course, no one will be doing that for a while. As I write this, the UK is in lockdown and has been for a while. I am fortunate that I am used to working from home, and I am well set up to do so, but it is a difficult time for us all.

What I’ve been working on

I had a relatively light month in terms of work. I took on two proofreads: one was historical fiction, set during the settlement of New France (an area colonised by France in what is now Canada), and the second was a memoir. My only copy-edit for March was fiction for an indie author I had had the pleasure of working with before.

What I’ve been reading

I had a copy of Dennis Baron’s What’s Your Pronoun? to review for the Chartered Institute of Editing and Proofreading. The review will be available online in due course, but I can say that I do think it’s a worthwhile read.

My for-fun read this month was The Adventures of Maud West, Lady Detective by Susannah Stapleton. Maud West was a female private detective in the early twentieth century. I picked the book up when it caught my eye in the lovely Blue Bear Bookshop in Farnham. It’s a fascinating true story, engagingly told by Stapleton.

Looking forward

COVID-19 has put a stop to any in-person local group meetings for the foreseeable future. In a rare bit of good news, however, I am now more or less back to normal levels of availability for new projects.